Now a major motion picture starring Tom Hanks, Halle Berry, Susan Sarandon, and Hugh Grant, and directed by Lana and Andy Wachowski and Tom Tykwer
Includes a new Afterword by David Mitchell
A postmodern visionary who is also a master of styles and genres, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending philosophical and scientific speculation in the tradition of Haruki Murakami, Umberto Eco, and Philip K. Dick. The result is brilliantly original fiction that reveals how disparate people connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
“[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review
“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers
“Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”—People
“The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon From Publishers Weekly At once audacious, dazzling, pretentious and infuriating, Mitchell's third novel weaves history, science, suspense, humor and pathos through six separate but loosely related narratives. Like Mitchell's previous works, Ghostwritten and number9dream (which was shortlisted for the Booker Prize), this latest foray relies on a kaleidoscopic plot structure that showcases the author's stylistic virtuosity. Each of the narratives is set in a different time and place, each is written in a different prose style, each is broken off mid-action and brought to conclusion in the second half of the book. Among the volume's most engaging story lines is a witty 1930s-era chronicle, via letters, of a young musician's effort to become an amanuensis for a renowned, blind composer and a hilarious account of a modern-day vanity publisher who is institutionalized by a stroke and plans a madcap escape in order to return to his literary empire (such as it is). Mitchell's ability to throw his voice may remind some readers of David Foster Wallace, though the intermittent hollowness of his ventriloquism frustrates. Still, readers who enjoy the "novel as puzzle" will find much to savor in this original and occasionally very entertaining work. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Paperback edition.Mitchell's virtuosic novel presents six narratives that evoke an array of genres, from Melvillean high-seas drama to California noir and dystopian fantasy. There is a naïve clerk on a nineteenth-century Polynesian voyage; an aspiring composer who insinuates himself into the home of a syphilitic genius; a journalist investigating a nuclear plant; a publisher with a dangerous best-seller on his hands; and a cloned human being created for slave labor. These five stories are bisected and arranged around a sixth, the oral history of a post-apocalyptic island, which forms the heart of the novel. Only after this do the second halves of the stories fall into place, pulling the novel's themes into focus: the ease with which one group enslaves another, and the constant rewriting of the past by those who control the present. Against such forces, Mitchell's characters reveal a quiet tenacity. When the clerk is told that his life amounts to "no more than one drop in a limitless ocean," he asks, "Yet what is any ocean but a multitude of drops?" Copyright © 2005 The New Yorker --This text refers to an alternate Paperback edition.Critics on both sides of the Atlantic rave over Cloud Atlas, British novelist Mitchell’s third novel. Many of the accolades focus on his flair for setting and character. He seems just as comfortable in far-future Hilo as in contemporary England, and he crafts believable voices for characters as different as the rakish Frobisher and the simple tribesman Zachry. One reviewer found the Luisa Rey storyline less convincing than others, while another got bogged down in Zachry’s tale. Mitchell may jump around in time, but his skill remains consistent. This skill—the technical expertise that allows Mitchell to adopt a different genre for each of his six storylines—gets him into a little trouble. The New York Times Book Review complains that Mitchell’s writing “too often seems android,” that his chameleon-like shifts render his work coldly impressive rather than “fallibly human.” However, most reviewers found Mitchell’s unorthodox structure captivating. After an initial period of confusion, Cloud Atlas becomes a challenging puzzle most were eager to solve. When the storylines finally coalesce, the result is a novel that stands above its peers in both emotional impact and philosophical import. As the Los Angeles Times notes, “Cloud Atlas offers too many powerful insights to be dismissed as a mere exercise in style.” By all accounts, Mitchell has produced in Cloud Atlas a wholly original work. For most, it is also wholly satisfying. Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to an alternate Paperback edition. Review “[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review
“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers
“Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”—People
“The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon From the Inside Flap From David Mitchell, the Booker Prize nominee, award-winning writer and one of the featured authors in Granta's "Best of Young British Novelists 2003" issue, comes his highly anticipated third novel, a work of mind-bending imagination and scope. A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified "dinery server" on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation -- the narrators of Cloud Atlas hear each other's echoes down the corridor of history, and their destinies are changed in ways great and small. In his captivating third novel, David Mitchell erases the boundaries of language, genre and time to offer a meditation on humanity's dangerous will to power, and where it may lead us. --This text refers to an out of print or unavailable edition of this title. About the Author David Mitchell is the author of the international bestseller The Thousand Autumns of Jacob de Zoet, named a best book of the year by Time, The Washington Post, Financial Times, The New Yorker, The Globe and Mail, and The New York Times; Black Swan Green, which was selected as one of the 10 Best Books of the Year by Time; Cloud Atlas, which was a Man Booker Prize finalist; Number9Dream, which was short-listed for the Man Booker as well as the James Tait Black Memorial Prize; and Ghostwritten, awarded the Mail on Sunday/John Llewellyn Rhys Prize for best book by a writer under thirty-five and short-listed for the Guardian First Book Award. Hailed as “the novelist who’s shown us fiction’s future” by The Washington Post, Mitchell was named one of the 100 most influential people in the world by Time in 2007. He lives in Ireland. Vân đồ là một câu chuyện dài thống nhất được xâu chuỗi bởi 6 câu chuyện nhỏ với 6 nhân vật chính. Mỗi hành động của mỗi cá nhân lại có tác động, ảnh hưởng tới những con người khác. Họ có sự gắn kết với nhau ở cả hiện tại, quá khứ và tương lai.
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